Industrialized Poets Essay

Edgar Allan Poe, Walter gum benzoin, and Arthur Rimbaud all(a) lived in the stung nineteenth Century where the idyllic countryside was gravid way to the industrialized world. Their poetry reflects the cloggy impact industrializations flak had on the world. Starting from Edgar Allan Poe, to Arthur Rimbaud and finally to Walter Benjamin this paper will discuss the performance of industrialization on their respective world celestial horizon vis--vis the seat of the world during their life time.A urban center in the SeaBy Edgar Allan PoeLo remnant has re atomic number 18d himself a throneIn a strange city lying solelyFar down within the inglorious West,Where the peachy and the bad and the worst and the prohibitedstripHave gone to their eternal rest.thither shrines and palaces and chromatography columns(Time-eaten towers that tremble non)Resemble zilch that is ours.Around, by lifting winds forgot,Resignedly beneath the threshThe melanc blessed water lie.No rays from the holy heaven semen downOn the long night-time of that town scarcely uninfected from out the lurid seaStreams up the turrets silently Gleams up the pinnacles far and giving Up domes up spires up princely halls Up fanes up Babylon- interchangeable walls Up dim long-forgotten bowersOf sculptured ivy and stone flowers Up some(prenominal) and many a terrific shrineWhose wreathd friezes interlockThe viol, the violet, and the vine.So blend the turrets and shadows on that pointThat all seem pendulous in the airmanship, spell from a proud tower in the town end looks gigantically down. on that point splay fanes and gaping gravesYawn level with the luminous wavesBut not the wealthiness there that lieIn separately idols diamond eye Not the gaily-jeweled deadTempt the waters from their bedFor no ripples curl, alasalong that wilderness of glass No swellings articulate that winds may beUpon some faraway happier sea No heavings hint that winds film beenOn seas less hideously ser ene.But lo, a stir is in the airThe wave there is a vogue thereAs if the towers had thrust aside,In slightly sinking, the dull tide As if their tops had feebly givenA void within the filmy Heaven.The waves maintain now a redder glow The hours argon breathing abstemious and low And when, amid no earthly moans,Down, down that town shall narrow hence, booby hatch, rising from a thousand thrones,Shall do it reverence. The setting is in a city in the west ruled by death who is worshiped by all. This set is very much quoted or at least(prenominal) use for the crafting of gothic films or at engagement. Death looks down upon all from his high tower, equal Sauron atop Barad-Dur. The city has domes, spires and kingly halls, and fanes and Babylon equal walls. The metrical composition makes a instead humourous point because the west has always been associated with good and life and the east with evil and death. For example, in Tolkiens Lord of the Rings Trilogy Aragorn is the int elligent Lord of the West while the Sauron commands a legion of evil Easterlings. Poe speaks of a contemplativeness end of old age when the waves now study a redder glow, the hours are breathing faint and low. The waves turning red as a sign of booby hatchs coming because red is the glossary of fire and hence the color of conflagration and the Devil. and when, amid no earthly moans, down, down the tower shall settle hence, Hell rising from a thousand thrones, shall do it reverence. It would appear that the poem speaks of the city of death as if it were sea captain to Hell. Rather, as if Hell were subordinate and mustiness pay homage. The end is a creepy-crawly scene where the Devil expresses gratitude to the devil for allowing him to come and rule the Earth. As depose be expected of Edgar Allan Poe the setting is blackened and brooding. In affinity to the youngization existence see during Poes time it is quite by chance a comment on the turnout gap between the rich a nd unworthy as a issue of industrialization, specifically the mill system. Poe lived in the early 19th Century in his time factories were being setup left and right.People were migrating from the provinces to the cities in order to get jobs at the factories because the cottage industries they used to have were no long-lived viable. Instead they had to move to cities. The cities were grim gothic environs in their own right. Sanitation, Housing, and victuals were all in short supplies. The cities were dirty, grimy, unsoundness ridden affairs for the vast majority of the country immigrants. Life was short and dangerous, they lived miserable lives a lot on the job(p) in inhuman conditions for mill proprietors who ruthlessly abused them.Contrast this with the capitalists who own the factories. The newness of the factory system meant that laws were not and in place to protect the rights of the workings. unprincipled factory owners worked the peasants to the hilt. Fourteen-hour work days and Six-day work weeks were not unknown.Wages were a scandal, with no wage boards or unions to protect them and with the wear being a buyers market near workers had no choice but to contain the poor wages or be unemployed. As a final result, the factory owners could arrest oppressively rich. In fact, in the priggish era the Nobles and the now-wealthy Capitalists mingled as equals in the liberal parties of the day. Men like Vanderbilt and Astor could afford to hit Palatial estates fit for kings quite by chance at the expense of the wretched workers in their factories.In my opinion, aside from his already dark and brooding outlook and writing style, Edgar Allan Poe was invigorate to write A City in the sea by his exposure to the factory system. The oppression of the workers vis--vis the extreme privilege of the owner may have further jaded mr. Poe. He would is not the first, and he was surely not the last to suggest that Hell itself will rise from the City in th e Sea.Moving forward, Arthur Rimbauds Une Saison en Enfer or A season in hell was written at the time when he was convalescent from a gun chilliness. The phonograph recording has had spacious influence on later Surrealist writers it was considered a revolutionary work because it shunned conventional description, straightforward narrative and didactic purpose. His work revolts against naturalism, clearcutness and objectivity. Rimbaud relies on suggestion and evocation rather than concrete depiction. For this paper we will concentrate on the second poem badness blood.The poems read like the confessions of a self-confessed(prenominal) scoundrel. And why should it not? Rimbaud had a transgendered lover named Paul Verlaine who later shot him when they broke up. The hold up was direct result of his shooting and the tumults he underwent while recovering from the wound. Initially the book was unsuccessful.The poem meritless Blood, like the rest of his work, reads like the rants of a self-confessed scoundrel. He explores his pre-Christian, Gaellic origins and emphasizes his alienation from modern civilization.Scholars are at variance as to what the actual theme of his work is. However, the general consensus is that it has to do with the Narrators essay to reconcile the ideals of Christianity with the falsehood and Corruption of western Civilization. There are many dualities presented and undetermined for what they are.In relation to his time the Hypocrisy and Corruption was at its hilt. In those days nearly every European force play had colonies overseas. All European nations, at least in the west, professed freedom and civil liberties as inalienable rights. Slavery and serfdom were old and illegal in Western Europe. to that degree all one has to do is bring the confines of Continental Europe so see that slavery is still widely practiced. I believe that as result of modern printing and communication methods like the Morse code and the AFP news show began to travel faster than it did before. This exposed Rimbaud to the many forms of Hypocrisy and Corruption that crippled the morale fiber of Europe.For example, Africans are treated as second-class citizens in their own country. They are forced to work inhumane conditions in the mines, plantations and farms of their European masters for little or no viable compensation. Civil liberties are denied to colonials to the hilt, in the Philippines the Spanish are allowed to shake up up the locals further for not presentation them the proper deference.In fact, he did not have to go very far. There were many reports of women and children working in side coal mines. They even went on hire to protest their inhumane wages and working conditions. Normally news from Eng kingdom would take days or even weeks to reach continental Europe and vise versa but convey to the telegraph a workers strike in Paris can be known to Londoners as speedily as the next day.Finally, Benjamins work was per haps the most intemperately affected by industrialization. In fact, his book Paris, Capital of the Nineteenth Century is more or less entirely active the advances and changes brought about by the rapid industrialization of the bygone century. The book outlines the changes in almost glowingly utopia perspective. This is in contrast to the dark, brooding and negative views of the earlier authors.For example, the first chapter Arcades points out that material and brotherly conditions that makes Arcades possible. With the advancement of capitalism, Arcades have become obsolete, replaced by the department store. As an aside, Benjamin suggests to Arcades as almost utopian paradises.The next chapter about Daguerre photography mentions the role of photography in transforming art. The chapter also mentions how photos become a trade good and emphasizes the commodity trade of photographs in relation to portraits. Benjamin will later refer to this as unconscious optics.The fourth chapter points out how the rapidly industrialized world has successfully separated home from work. In the venerable days of Agriculture people worked that land where they lived. In his day people traveled quite far to reach the factories and shops where they worked. barely put, Benjamin chronicles the changes that industrialization has brought about. It is appears he view industrialization as positive since there are few mentions of the negative side of it. Instead industrial enterprise is viewed positively as a means to improve the lives and livelihoods of people. Industrialization brought about massive changes during the 19th century. Poets and writers as purveyors and chroniclers of the peoples world-view are not isolated from these sweeping changes. These authors are just a few examples of how the great changes of their times greatly affected their styles.